Wednesday, 31 August 2011

[W709.Ebook] Ebook Download The Films of Wes Anderson: Critical Essays on an Indiewood IconFrom Kunze, Peter C. (EDT)

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The Films of Wes Anderson: Critical Essays on an Indiewood IconFrom Kunze, Peter C. (EDT)

Wes Anderson's films can be divisive, but he is widely recognized as the inspiration for�several recent trends in indie films. Using both practical and theoretical lenses, the contributors address and explain the recurring stylistic techniques, motifs, and themes that dominate Anderson's films and have had such an impact on current filmmaking.

  • Sales Rank: #1556363 in Books
  • Brand: Kunze, Peter C. (EDT)
  • Published on: 2014-05-01
  • Released on: 2014-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.11" h x .72" w x 4.84" l, .85 pounds
  • Binding: Hardcover
  • 226 pages

Review

'Kunze's collection offers a broad array of critical responses to Wes Anderson's films - from their quirky sensibility, their portrayal of idiosyncratic characters, their relation to neoliberal fantasies, and the importance of music to Anderson's collaboration with Noah Baumbach. The Films of Wes Andserson is invaluable for bringing us much closer to understanding Anderson's significance as an American Indiewood filmmaker." - Warren Buckland, Reader in Film Studies, Oxford Brookes University, UK

"Spanning a diverse range of perspectives on a figure who is now undoubtedly recognized as the icon of the indie era, this collection valuably complicates and challenges the generalized notions of Wes Anderson that characterize popular opinion. It is essential reading for anyone seeking to understand the work of this director as more than merely 'whimsical.'" - Claire Perkins, Film and Television Studies, Monash University, USA, and author of American Smart Cinema

"Appropriately, the essays collected in this volume provide an array of perspectives on a filmmaker whose work consistently fights against isolation. It is fitting indeed that the first serious book-length exploration of Anderson's work is a truly collaborative effort. Including fourteen essays from fourteen distinct points of view, the reader comes away from Kunze's collection with a sense of the filmmaker and his unusually inclusive worldview, as well as a sense of respect for the power of a critical conversation (as opposed to the monologue)." - Devin Orgeron, Associate Professor, Director of Film Studies, North Carolina State University, USA, and author of "La Camera-Crayola: Authorship Comes of Age in the Cinema of Wes Anderson"

About the Author
Kim Wilkins, University of Sydney, Australia Colleen Kennedy-Karpat, Bilkent University, Turkey C. Ryan Knight, Randolph County Community College, USA Joshua Gooch, D'Youville College, USA Steven Rybin, Georgia Gwinnett College, USA Jennifer O'Meara, University of Dublin, Trinity College, Ireland James MacDowell, University of Warwick, UK Jen Hedler Phillis, University of Illinois at Chicago, USA Rachel Joseph, Trinity University, USA Laura Shackelford, Rochester Institute of Technology, USA Nicole Richter, Wright State University, USA Jason Davids Scott, Stephen F. Austin State University, USA Lara Hrycaj, Wayne State University, USA

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Tuesday, 30 August 2011

[S770.Ebook] Free PDF Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951), by Norton Dudeque

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Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951), by Norton Dudeque

Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.

  • Sales Rank: #6554343 in Books
  • Published on: 2006-01-28
  • Original language: English
  • Dimensions: 9.50" h x 6.50" w x 1.00" l, 1.30 pounds
  • Binding: Hardcover
  • 296 pages

Review
'In sum, Dudeque's book is a useful and diligent survey of Schoenberg's theories, especially as concerns tonal regions, developing variation, and Grundgestalt. The book adds to the already sizeable literature on these concepts.' Music and Letters 'Skillfully using scientific methods, Dudeque accomplished a comprehensive and systematic approach to Schoenberg's theory, which has not been done before. The book is also well-argumented, critical and polemical, allowing numerous interpretation options.' IRASM '... the sole English-language monograph on the topic... indispensable for anyone interested in Schoenberg's musical thought and analytical approach.' Journal of the Society for Musicology in Ireland

About the Author
Dr Norton Dudeque lectures in Music Theory at the Federal University of ParanĂ¡, Brazil.

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Saturday, 13 August 2011

[D622.Ebook] PDF Ebook THE STORY OF THE TRAPP FAMILY SINGERS, by MARIA AUGUSTA TRAPP

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THE STORY OF THE TRAPP FAMILY SINGERS, by MARIA AUGUSTA TRAPP

  • Sales Rank: #6472624 in Books
  • Published on: 1950
  • Binding: Hardcover

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Wednesday, 10 August 2011

[V987.Ebook] Fee Download C# 2008 For Dummies, by Stephen R. Davis, Chuck Sphar

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Whether you’re a total novice or a programmer shifting to C#, the newest version of this programming language is full of cool features you’ll want to use. With its Visual Studio compatibility, C# is the perfect language for building Windows Vista applications. And the 2008 version works with LINQ, a query language with syntax similar to SQL but which simplifies database code and can also write queries on XML files.

For the best basic C# how-to, it’s hard to beat C# 2008 For Dummies. This plain-English guide to programming with C# can have you creating your first console application before you finish Part I. In fact, the basic template you create at that point will be the foundation of many other apps as you move through the book. Along the way you’ll get the scoop on organizing your data, object-oriented programming (also known as OOP), and a great LINQ-related feature called delegates and events. You’ll find out how to

  • Create a console application template
  • Perform logical comparisons
  • Work with loops and if statements
  • Understand collection syntax
  • Use interfaces and object-oriented concepts
  • Apply delegates and events, and much more

You’ll even gain some rare insight into how to understand error messages you may get when programming in C#. All the code you need can be found on the companion Web site, along with great bonus information that helps you do more with C# 2008. So — what are you waiting for? Grab C# 2008 For Dummies and let’s get started!

  • Sales Rank: #1523261 in Books
  • Published on: 2008-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.00" w x 7.42" l, 1.48 pounds
  • Binding: Paperback
  • 456 pages

From the Back Cover
Companion Web site has sample code and extra stuff

Create console apps, discover delegates and events, and explore interfaces

C# is a powerful programming language that has become a favorite tool of Visual Studio programmers, and this friendly guide will get you up to speed on the newest version — painlessly. Before you know it you'll be creating applications for Vista, using LINQ to simplify database code, knowing what to do with HashSets, and more.

Discover how to:

  • Create a console application template

  • Work with loops and if statements

  • Understand collection syntax

  • Use interfaces and object-oriented concepts

  • Apply delegates and events

About the Author
Stephen R. Davis, who goes by the name of Randy, lives with his wife and son near Dallas, Texas. He and his family have written numerous books, including C++ For Dummies and C++ Weekend Crash Course. Stephen works for L-3 Communications.

Chuck Sphar escaped Microsoft’s C++ documentation camps in 1997, after six years’ hard labor as a senior technical writer. He’s perpetrated three previous tomes, one on object-oriented programming for the Mac, one on Microsoft’s MFC class library, and C# 2005 For Dummies, a revision of Randy’s original edition. He’s currently finishing a novel about ancient Rome (against rome.com) and gobbling great mouthfuls of .NET programming. Chuck can be reached for praise and minor nits at chuck@csharp102.info.

Most helpful customer reviews

15 of 16 people found the following review helpful.
Terrible - skips important functions, and no mid-ground
By bookwormy2
I bought this book hoping to learn from scratch - as one would assume you can normally do from a "For Dummies" book. I own 12 "For Dummies" books on various subjects, but this has by far been the most scattered in flow and difficult to process.
While the book exhausts you with lengthy dissertations on all of the possible variable types before you even get to write anything useful, it then completely leaves out the really useful information and techniques like how to write a program that can save text output into a separate file. There is no CD included, leaving you to have to go to the author's website and download all of the support files you'll need to cover your topics of interest. While I did find a "bonus" chapter on the author's website that covered creating programs that read from and write to text files, the code he published with it had errors and would not compile.
Finally, I say there is no "mid ground" because it seems he can only take you along at either 5mph or 200mph - there isn't much in-between. There is a lot of "we'll cover that later" (my quotes) but it doesn't get covered in time to help you understand what he's discussing just a few pages later.
BIG disappointment. I'm now looking for another tutorial source on C#.

2 of 2 people found the following review helpful.
Club that beats the dead horse...
By H. T. Roberts
I'm not saying this was a bad book. It just didn't jive with me, and I don't feel like I got very far with it. This book is the club that beats the proverbial dead horse. At times, I felt like I was taking the beating.

I am a total beginner, and the first sections were very useful in understanding basic concepts of programming in general. I'm still reading it, but it's draining me of motivation to write any more code. After a couple of months, I'm not a whole lot better at writing code. I definitely understand it better, however I not DOING much better.

Flavors upon flavors of a little thing seem to be the overiding theme of this book. I was really looking for a more general overview and snippets that would help catapult me into writing more complex code than what is presented.

This book may be an ideal supplement with another book, or books. It may even be a good reference when you're running into trouble understanding concepts of C# programming. The detail IS there. I was looking for snippets that I could actually use for very low level apps I'm trying to write. I guess I didn't need to buy a book for that. I was a fool, and my money soon parted from me.

3 of 4 people found the following review helpful.
Good But Could be Better
By Daniel E. Hofford
It must be something in our culture that causes writers of technical information to not 'get it' when they are explaining technical issues. This is a good book, relative to books on C# but there is still too much of the assumption of a lot of C# books that one is coming from a C or C++ background.

I should think any book on this subject would spend the first chapter(s) on giving one an overall architectural picture of the product. EVERYTHING (almost) in C# is a class yet it's not until Chapter 7 that we even begin to deal with the idea of a class. Everyone seems to think the most important thing in explaining code is to get you to write 'Hello World.' It isn't. Doing so before having any idea of what is going on or why is an exercise in aping. Instead of the 'here's a piece, here's a piece, here's a piece of it and I hope you can stitch together the fabric that allows it all to work' approach, I'd like to see an overall architectural picture laid out and then the pieces filled in. That's how I learn. A philosopher (Mortimer Adler) once wrote a book on how to read a book. The idea was to read all the chapter headings, then the table of contents. Then one would flip through the book reading all of what was in bold. The idea was to build the overall architecture of the book in one's mind to have something to hang the details on. Most 'programming language' writers start right off with detail after detail after detail until one has a mountain of detail to sort through and make sense of but still no overall theme with which to do the job. I'm really not picking on the two authors of this book: they simply are doing what everyone in the industry seems to do but it's annoying as hell.

One other small point is that every time something is explained the author(s) should make an attempt to put it in context and to use contextually relevant examples. Take the chapter on collections. People coming from a background of database languages may not have ever had to use or think of a 'hash table' so to use the idea to define a 'dictionary' (which in the database world is quite a different thing) is to leave those readers out in the cold. It's not that it can't be figured out but why should I have to expend great amounts of energy trying to figure out what the author is saying when with a sentence or two it could have been very clear? And then to the lack of context when discussing 'collections.' How are these things used? In what context? What distinguishes the use of a list from an array from a dictionary from a hash table? Nothing. What about data persistence? Nothing. What about dealing with 10 million records? Nothing.

But the reason I gave it three stars instead of four was the all too often occurrence of "I don't explain this here, if you want to know what I'm talking about you have to go to the bonus chapter on the website." Ah, a bonus! I should be grateful, right? Instead I'm annoyed at the assumption I'll be reading this book whilst sitting next to a computer. With internet access. It's irritating even when I am sitting next to one with access. If you're going to deal with a topic, deal with it in one place. Separate the book from the website material so it doesn't interfere with the flow of reading. The way it's been done here I feel like I'm constantly tripping over incomplete information. Bonus material should be on top of, in addition to, not critical to your understanding but put somewhere else.

Other than that, I liked the book.

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